{"id":2034,"date":"2020-10-13T11:22:30","date_gmt":"2020-10-13T11:22:30","guid":{"rendered":"https:\/\/syncleadership.com\/?page_id=2034"},"modified":"2024-07-18T09:40:41","modified_gmt":"2024-07-18T09:40:41","slug":"charles-matthews","status":"publish","type":"page","link":"https:\/\/syncleadership.com\/fr\/programmes\/sync-intensive\/sync-canada-quebec\/charles-matthews\/","title":{"rendered":"Charles Matthews"},"content":{"rendered":"<div class=\"wp-block-image is-style-rounded founder-promo\">\n<figure class=\"alignright size-thumbnail is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"768\" src=\"https:\/\/syncleadership.com\/wp-content\/uploads\/2020\/10\/Charles-Matthews-1-800x768.jpg\" alt=\"\" class=\"wp-image-2071\" style=\"aspect-ratio:1;object-fit:cover;width:329px\"\/><figcaption class=\"wp-element-caption\">Charles Matthews<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Charles Matthews est un musicien et un technologue cr\u00e9atif qui se concentre sur l\u2019acc\u00e8s. \u202fEn tant qu\u2019artiste, il travaille principalement avec des combinaisons de lumi\u00e8re et de vibrations (voir par exemple&nbsp;<a href=\"http:\/\/ardisson.net\/a\/?page_id=440\">Light Recorders<\/a>,&nbsp;<a href=\"http:\/\/augmentedgamelan.com\/\">Augmented Gamelan<\/a>de Jo-Anne Cox.&nbsp;<a href=\"http:\/\/disabilityarts.online\/audio-lighting-with-charles-matthews\/\">Defiant Journey<\/a>).<\/p>\n\n\n\n<p>Charles a travaill\u00e9 en \u00e9troite collaboration avec une organisation bas\u00e9e au Royaume-Uni&nbsp;<a href=\"http:\/\/www.drakemusic.org\/\">Drake Music<\/a>&nbsp;pendant plusieurs ann\u00e9es, en d\u00e9veloppant, entre autres, une guitare personnalis\u00e9e avec le musicien John Kelly appel\u00e9e&nbsp;<a href=\"https:\/\/www.drakemusic.org\/technology\/instruments-projects\/the-kellycaster\/\">the Kellycaster<\/a>une installation ext\u00e9rieure comprenant des instruments num\u00e9riques dot\u00e9s de divers capteurs,&nbsp;<a href=\"https:\/\/www.drakemusic.org\/music\/projects-commissions-participation\/planted-symphony\/\">Planted Symphony<\/a>et un spectacle musical&nbsp;<a href=\"https:\/\/www.drakemusic.org\/blog\/charles-matthews\/a-musical-lazy-susan-research-and-development-at-belvue-school\/\">Lazy Susan<\/a>\u202fcon\u00e7u pour encourager la prise de tour dans les salles de classe.<\/p>\n\n\n\n<p>Charles est actuellement en train de d\u00e9velopper le&nbsp;<a href=\"https:\/\/www.abbeyroad.com\/news\/music-tech-accessibility-the-haptic-baton-2543\">Haptic Baton<\/a>&nbsp;avec des instruments humains, et a cr\u00e9\u00e9 un cadre source ouvert appel\u00e9&nbsp;<a href=\"https:\/\/instrumentmaker.org\/\">instrumentmaker.org<\/a>qui constitue le fondement d\u2019ateliers en collaboration avec un musicien bas\u00e9 \u00e0 Montr\u00e9al&nbsp;<a href=\"http:\/\/www.utchoir.com\/press.php\">Gift Tshuma<\/a>&nbsp;par le biais de leur projet&nbsp;<a href=\"http:\/\/blurringtheboundaries.org\/\">Blurring the Boundaries<\/a>.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u00ab Je me suis senti perdu en essayant de cr\u00e9er des liens en tant que nouveau r\u00e9sident du Qu\u00e9bec pendant la pand\u00e9mie. Ce programme semble \u00eatre l\u2019occasion id\u00e9ale pour un nouveau d\u00e9part.\u202f \u00bb&nbsp;<\/p>\n<\/blockquote>","protected":false},"excerpt":{"rendered":"<p>Charles Matthews is a musician and creative technologist with a focus on access. &nbsp;As an artist, he primarily works with combined light and vibrations (see for example:&nbsp;Light Recorders,&nbsp;Augmented Gamelan, and Jo-Anne Cox\u2019s&nbsp;Defiant Journey). Charles has worked closely with UK-based organisation&nbsp;Drake Music&nbsp;for several years, developing, amongst other things: a custom guitar with musician John Kelly called&nbsp;the<a class=\"excerpt-read-more\" href=\"https:\/\/syncleadership.com\/fr\/programmes\/sync-intensive\/sync-canada-quebec\/charles-matthews\/\" title=\"ReadCharles Matthews\">&#8230; Read more &raquo;<\/a><\/p>","protected":false},"author":10,"featured_media":2137,"parent":650,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"programme-area":[],"class_list":["post-2034","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":{"title_on_page":""},"_links":{"self":[{"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/pages\/2034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/comments?post=2034"}],"version-history":[{"count":2,"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/pages\/2034\/revisions"}],"predecessor-version":[{"id":6759,"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/pages\/2034\/revisions\/6759"}],"up":[{"embeddable":true,"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/pages\/650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/media\/2137"}],"wp:attachment":[{"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/media?parent=2034"}],"wp:term":[{"taxonomy":"programme-area","embeddable":true,"href":"https:\/\/syncleadership.com\/fr\/wp-json\/wp\/v2\/programme-area?post=2034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}